Tag Archives: gaming

The best worst keyboard

A Dell QuietKey keyboard from roughly 2010.

The Dell 0T347F QuietKey Keyboard — The Best Worst Keyboard

It’s a fine morning in 2010. I’m sitting in one of the tutorial rooms at uni, in a computer lab setup with rows of computers for students to use. The desk is terribly setup; the screen sits on top of the computer, which takes up so much depth on the desk that there’s basically only room for the keyboard in front of the computer and absolutely nothing else. Even the keyboard is almost hanging off the front edge of the desk. Ergonomics weren’t a thing in those days, it seems, but this was par for the course in this kind of ancient history.

Strangely, the keyboard grabs my attention. It’s a standard Dell keyboard, the kind that comes free with your new Dell computer and if you don’t know any better, the one that you start using with your new Dell computer. It feels surprisingly good to type on. It’s not mechanical, but the half-height keys are responsive in a way that I wouldn’t expect from an OEM keyboard – certainly not any OEM keyboard I’ve used up until that point, not even the white plastic Apple keyboards I used back in high school. The keys don’t have the same solid action or tactile bump that mechanical ones do, but they still feel great to type on, with a bouncy springiness that puts the typing experience leaps and bounds ahead of the lethargic key feel of any other rubber-domed keyboard of its time.

I like the keyboard so much that I end up buying one for the princely sum of $22, or about $30 in today’s money. It’s the cheap and cheerful nature of it that appeals to my frugal sensibilities, back in the days where I was a poor uni student that didn’t have a hundred dollars to spend on a mechanical keyboard, much less two hundred. I don’t end up using it as my daily driver keyboard — that privilege is reserved for the aluminium Apple keyboards of the time, but it’s far better than the rubberised, spill-proof, roll-up keyboard I’m using for my gaming PC at the time, as evidenced by this blurry photo.

The best worst keyboard with my two other keyboards of the time

I’ve had a bit of a storied keyboard history. On the one hand, I’ve been using a mechanical keyboard since about May 2012 or so, with the Das Keyboard being my very first mechanical keyboard. Before that, my setups often featured the standard Apple keyboard, with its instantly recognisable, if divisive, low profile, laptop-style chiclet keys. When I started my first corporate job and had my own desk, I specifically went and purchased a nice mechanical keyboard with macro buttons and RGB so I could have an excellent typing experience at work. That’s not really a thing these days, thanks to workplaces moving to mostly hotdesks in light of Covid and people appreciating the flexibility of working from home, but you can still do it if you’re willing to lug around a keyboard with you, or keep it in a locker or something at work. As much as I enjoy using nice mechanical keyboards, I’ve used plenty of less-than-stellar keyboards as well. There are photos of me with those rubberised, roll-up keyboards at LANs, where all I needed was something that made it possible to WASD around, no matter how mushy it felt, or how awful it was for any typing.

These days, my setup is generally two keyboards on my desk. The further back keyboard is currently a CODE Keyboard which is always connected to my Mac, while the keyboard directly in front of it is whatever keyboard I’m using with my gaming PC. For the last few years, that’s been a Corsair mechanical gaming keyboard with Cherry Red switches. This setup works pretty well. I don’t do that much typing on my Mac anymore, at least nothing like I used to do, but when I do need to type out the odd phrase, sentence, or even paragraph, the CODE Keyboard with its Cherry Green switches provides such a sublime typing experience that I find myself wishing I did. And when I’m in leisure mode and carrying games with Muerta in Dota 2, it’s nice to have a keyboard that I know I can rely on to give me the exact keys that I press, safe in the knowledge that if I accidentally hit a key, or fat-finger a skill in a teamfight, that’s on me.

Unless my keys flat-out doesn’t work, of course.

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Return of the Obra Dinn

I’ve played a lot of video games in 2018. I got a taste of the grind in Destiny 2 when it was free, fought in the frontlines in Battlefield 5, taken down other drivers in the Burnout Paradise remaster, constructed mining ships of my own design in Space Engineers, explored a vast universe in No Man’s Sky, and even tried out the DayZ 1.0, alongside my usual staple of Dota 2. But besides all the well-known games that I’ve played, there have been exactly two indie games which have been great enough to capture my attention, and this post is about one of them.

Return of the Obra Dinn is from Lucas Pope, who you might better know from the immigration paperwork game Papers, Please. Return of the Obra Dinn is slightly different, in that it’s still about paperwork, but this time around you play the part of a insurance investigator. Officially, your job is to determine how much should be paid out to the crew of the good ship Obra Dinn, which in turn means figuring out all 60 crewmembers, and their fates.

To aid you in doing so, you have a magic pocket watch. And a notebook, but we’ll get to that later. One of Return of the Obra Dinn’s core gameplay loops involves finding a dead body, standing over it, and then using your magic pocket watch to go back to the moment of that person’s death. These death scene freeze frames don’t allow you to interact with anyone or anything, with the idea being that you can walk around, observe, inspect, gather clues, and hopefully identify who was present and what was happening, all from a few voice lines and a still frame of the exact time they died. Sometimes, one death scene will lead to the discovery of another body, which is another scene, and so on, until you have a little series of events.

These events, in turn, make up “chapters” within your notebook, which describes itself as the catalogue of adventure and tragedy that befell the Obra Dinn. By going around the ship, discovering more and more bodies, and more and more scenes, you’ll start to build up a depiction of the characters so you can start putting names to faces — no easy task, given the one-bit graphics and often obscure clues and hints that you’ll need to pick up on.

Make no mistake, Return of the Obra Dinn is hard. The game warns you fairly early on that in your quest to identify all 60 passengers and crew and their fates, definitive information that will let you decisively identify someone and their fate is rare. While you’ll usually have some idea of how a person died thanks to your magic pocket watch, working out who they are based only on contextual clues — what they’re doing in any given scene, what they’re saying, what they’re wearing, who they appear with — is challenging in the extreme. The game helps by blurring faces in the notebook until it thinks it has revealed all the information you’ll need to positively identify someone, but you’ll still need all of your powers of observation to do so. At times, you’ll need to jump between different scenes in order to work out who someone is, taking a look at where they are, what they’re doing, and so on.

It’s all very murder-mystery. Only instead of trying to work out who (or in some cases, what) did the deed, the real challenge is putting names to faces.

Unfortunately, that’s also where Return of the Obra Dinn falls short. There’s basically no replayability, given that once you’ve figured everything out, that’s how it is for the rest of time. It’s for this reason that I don’t recommend doing what I did and looking up a guide, no matter how stuck you are. The problem with this kind of game is that it’s hard for a guide to point you in the right direction, and they may end up just spoiling a few characters or two. Instead, I recommend using all the available clues; the game provides you with all of the details that you need to identify someone, even if they’re obscure as all hell. Once you’ve unlocked every scene, go through and review all of the scenes an individual appears in and try to work out who they are based on what they’re doing, who they’re with. In any scene, there’s usually something that gives away who someone is, even if you have to use a different scene to know what that is.

Return of the Obra Dinn is currently $28.95 (that’s Australian dollars to you, pal) on Steam, and you should absolutely buy it if you’re at all a fan of putting your observational skills to the test, feeling like a right Sherlock Holmes when one of your inferences pays off, or just lucky when you guess the identities and fates of people you have no idea how to otherwise identify. It’s a masterpiece.

PlayerUnknown’s Battlegrounds and the Price of Early Adoption

Yo, am I supposed to be able to see through these rocks, or what?

The end of the year is upon us once again. Wherever you look, there’s one game that’s making every game of the year list. I’m talking about PlayerUnknown’s Battlegrounds, of course, and no matter how many GOTY lists I read, it’s always PUBG this, PUBG that. Always in the top 5, if not at number one.

Don’t get me wrong, PUBG is a fantastically good game, and it absolutely deserves all the praise it gets. It’s been the only game I’ve really played this year besides DOTA and a minor fling with CS:GO that only lasted a few weeks. There’s just something about the battle royale gameplay of PUBG that makes it appealing to everyone, whether you’re a lone ranger slowly working your way towards a solo chicken dinner, buddied up with a friend trying to win as a pair, or working tactically as a squad, against a whole bunch of other squads.

You loot your way across the map. Hopefully the play area shrinks in your favour, lest you spend the entire round “circle-chasing”, constantly riding the outside edge, one bad encounter away from death. Occasionally, when you decide that you like the look of a set of buildings and decide to make camp, some unlucky squad will drive up, only to be gunned down by your squad’s perfectly orchestrated burst of assault rifle fire from multiple angles. Sometimes, you’ll be that unlucky squad, and other times, you’ll will that encounter, only to die to a unfortunate circle shrink mere minutes later, pinned down by two other squads.

Maybe you’ll be involved in an epic car chase. Be half-a-second late to save a mate. Jump out of a window to get into a better position. Crawl prone through some nice wheat as the battle erupts around you. Spray and pray with the micro-uzi. Get a lucky headshot to kill the last man in the squad. Notice someone out the corner of your eye. Revive someone, only to have them be immediately downed again. Or, if you’re really unlucky, get your entire squad wiped out by a single mortar round.

Has anyone seen my guns? I knew I left them around here somewhere…

PlayerUnknown’s Battlegrounds is a lot of fun. It’s all the more impressive that this game reached 1.0 just a few short weeks ago.

That’s not to say PUBG has been without its fair share of bugs. Everyone who has played before 1.0 experienced some kind of wonkiness. Nothing particularly game-breaking, just frustrating inconsistencies between patches that make you want to quit playing the game forever. I’m not talking about the patch-to-patch balance issues — we have to be a little lenient, given that it was listed as early access for the vast majority of 2017 —
stuff that was “working” in one patch is now completely broken in the next.

All of this might sound like PUBG is a broken mess of a game, but honestly, PUBG has been pretty good in that department. There aren’t many bugs that I can remember, and while the game will likely have “balance” issues due to what seems like an inconsistent ballistics model, those are unrelated to any technical aspects of the game. It’s by no means bug free, but animation bugs are about as worse as it gets.

But isn’t that the price you pay for being an early adopter? Isn’t the trade off of a few bugs — many of which you might never run into, most of which have workarounds, and none of which break the game completely — worth being able to play one of the undisputed standout titles of the year?

None of this is particularly new, of course. Even for games that aren’t listed as early access on Steam, games from developers and publishers bigger than PUBG have always had more issues on release than they do months after their initial release. Not because they couldn’t live up to their astronomical-levels of hype, but due to technical issues plagued them from the outset.

Prey is one such game. I’ve been playing Prey in the last week of the year. I remember the demo coming out a few months ago. At the time, I was quick to dismiss it after an hour of uninspiring gameplay. Truth be told, Prey didn’t even make it onto my radar of games this year. Seeing it on as many GOTY lists as PUBG changed that, and I thought I should give it another go.

I’m glad I did, because Prey is great, exactly the kind of action-RPG that I am into. In more ways than one, I’m glad I didn’t play it when it was first launched, because it apparently had save-corruption issues when it first came out. Save corruption bugs are the worst of all, because they’re lost progress, putting them squarely in the game-breaking bucket.

Unfortunately, this isn’t the first time Arkane/Bethesda has had launch issues with one of their triple-A titles. Dishonored 2 suffered at the PC performance altar when it first launched late last year, and it took a bunch of patches until it were finally fixed1. Even after six months, I still ran into one performance issue with one specific part of Prey, even though the game ran perfectly otherwise.

And isn’t that the ideal scenario? Wouldn’t you rather wait a few months to play a game you’re really looking forward to, just to make sure that all the bugs are ironed out of the 1.0 release, so you can have the best possible experience of the game?

In a perfect world, games would be released with zero issues. In reality, games are often broken on launch because programming is hard and because people aren’t perfect, so we end up with these bugs and issues. In the world of pre-order bonuses and where games spend years in development, it’s hard to not want to play a game as soon as it comes out, even if that means using a VPN to get a few extra hours playtime because the game has already been released in a different region. All I’m saying is, sometimes waiting can pay off.

But bugs can be fun too.

I call this one “the level 3 helmet squad”.


  1. Although, to be fair, I don’t remember any of these performance problems a year after the fact. Probably because the game is so good, any negative experiences early on were minor in comparison. 

Secondhand Mac Pro Pricing Is Ridiculous Now

IMG_3038If money was no object, my dream Mac would be the Mac Pro. Back in high school, we’d have these impromptu competitions to find the most expensive computer possible. And since the Mac Pro was both insanely expensive and able to be configured to an eye-watering level of performance, ticking all the boxes meant you could get your Mac Pro configuration towards the $30,000 mark without breaking a sweat.

I’ve never actually owned a desktop Mac before. No desktop Mac has really appealed to me, and as someone who’s had a separate PC for gaming for years, having two desktop machines means I lose out on any potential portability I wish to partake in. So every time I’ve had to decide on a new Mac, the only real decision that makes sense is a MacBook Pro, upgraded as much as I can afford it to be.

So here’s the deal: I use a Mac as my primary machine, and at the moment, it’s a Late 2013, 15-inch MacBook Pro with Retina display. It does everything, from composing blog posts late at night, to writing the daily new summaries in the morning. General web surfing, media playing, and, on occasion, I’ve played the odd game of Dota 2. Although it’s a portable machine, it almost never leaves the spot on my desk where it’s hooked up to my 4K external display, Thunderbolt dock, and all the other peripherals you’d expect to be plugged into your daily driver.

Which brings us to the other side of the equation, my gaming PC. I recently put together an almost-entirely new gaming rig for the purposes of upgrading to a more modern platform, but it’s been pretty lacklustre as far as upgrades go. For what I’m using it for (i.e. gaming), there hasn’t been any real noticeable difference in performance, which is kind of disappointing, and kind of makes me feel like I upgraded in order to keep up with platform changes, instead of upgrading because my old PC was getting a little long in the tooth.

PC performance (Mac or otherwise) has long passed the point where CPU performance makes a difference, which goes to explain why buying a machine from 2010 doesn’t faze me. In terms of general, day-to-day PC performance, the number one thing that matters these days is a fast SSD. Even then, you’re going to be hard-pressed to notice the difference between any modern SATA-based model or the newfangled PCIe-based ones, despite PCIe SSDs have much higher throughput. Again, it all depends on the kind of workload you’re throwing at them, and for gaming, the only thing that matters is GPU and to a lesser extent, CPU performance.

Which is just about where my dilemma begins. The portability on my MacBook Pro is nice and all, but I almost never use it that way. And having such a highly-specced PC that I only use for gaming seems like a bit of a waste. What if I could combine the two? I’d go from two separate computers to one, and I’d have the best of both worlds — a machine that runs OS X for my day-to-day, then reboots into Windows when I want to play some video games.

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Display thoughts

For this photo, I tried to mirror the image quality of the display as closely as possible.

For this photo, I tried to mirror the image quality of the display as closely as possible.

I’ve been thinking about pulling the trigger on a new display. Not because there’s anything wrong with my current one, but after the kerfuffle that was made by Dota 2 players at the Shanghai Majors over not having 120Hz monitors to compete on, I figured I wanted to see what all the fuss is about.

(There’s also the vain hope that it will somehow improve my game by a few percentage points, but that’s a story for another time.)

A little back story: since December 2014 I’ve been running with a Dell P2715Q, a 27-inch, 60Hz, 3840×2160 IPS display that was a substantial upgrade from the U2711 display I had previously. It’s pretty nice, with a few caveats: since my primary usage is with the display attached to my MacBook Pro, running it a native res means things get pretty unreadable unless I’m pumping up the size of everything. It’s fantastic when using a scaled resolution (I use a tool called EasyRes to switch between resolutions quickly), as it gives the quality of a “Retina” 2560×1440 display (3840×2160 downscaled to half that), making everything as crisp as the freshest iceberg lettuce.

But I don’t usually use it at native res, because things tend to slow down a bit, and the fans are audible all the time. I bought the best graphics card that Apple offered at the time, so maybe the Oculus CEO has a point when he says he’ll offer VR on the Mac when Apple decide to put a powerful enough GPU in their machines. (Stringent heat and power requirements mean that probably won’t happen in the MacBook Pro lineup anytime soon, as much as it pains me to say that.)

So I run my wonderful series of pixels at a non-Retina 2560×1440 when plugged into my Mac, even though text looks worse that way, and I have no more screen real-estate than I did with my previous screen.

My PC is a different story entirely. I like to think I have a pretty great graphics card in the GTX 980, which lets me run whatever resolution I like a a near-constant 60 FPS. And because I hardly play anything other than Dota, which runs on the Source 2 engine, it means I can run that game at the native res of my monitor without getting any noticeable frame-rate drops. Newer games like Dragon Age Inquisition, Fallout 4, or The Division are more of a toss up – I can either choose between maxing all the settings at a lower resolution, or turning down the fanciness for more resolution, and what’s “better” mostly depends on the game.

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The Division Open Beta

10899819070983503872_2016-02-22_00011

This is going to be hard to believe, but sometimes I play other games other than Dota 21. Crazy, I know. But last weekend I played The Division, I title I’ve been looking forward to ever since it brought the hype at E3 2013, at PAX Aus 2013, and then again at PAX Aus 2014. I’m not even sure why I was looking forward to it — the snippets of information that had been given away by Ubisoft/Massive haven’t been much to go on, but the way that everyone else has been talking about the game has gotten me excited. Even after the beta has come and gone, I’m still not sure what the game is about or what the end-game is, so I guess you can say I’m well and truly riding on the hype-train.

At first I wasn’t sure about the concept of a third-person cover-based shooter on the PC. Then I realised one of my favourite games of all time was a third-person cover-based shooter: Mass Effect. And the more I thought about it, the more I saw similarities between the two games: both are cover-based shooters. Both are futuristic. Both have RPG-like elements in terms of gear and skills. While Mass Effect undoubtedly has the far stronger storyline, I’m hoping The Division’s Dark Zone, PvP multiplayer will make up for the complete lack of late-game content we’ve seen thus far and give it at least a little longevity after the main story is done and dusted.

I almost gave up on The Division. After finishing the initial intro and browsing same-ish city blocks, I wandered towards the first objective, cranked the difficulty to high, and dove in. After ten deaths in the same spot, I gave up and was ready to hang in the towel on the whole thing — and I would have, if it hadn’t been for a friend that wanted to co-op with me.

We actually ended up making it through that mission, even though we died a few times in the exact same spot, but having a friend turns out to make all the difference in the world (or at least in that particular instance of mission).

With both of the two storyline missions under our belt (for an estimated 10% story completion of the entire game) in one sitting, we did what two guys would do next and passed into the Dark Zone.

10899819070983503872_2016-02-22_00009

In the Dark Zone, not only are you fighting up much tougher AI for better loot, you’re also competing with other players for the same. Loot is instanced so you can never “steal” someone else’s loot by landing the killing blow on a big boss, but what you can steal is their loot when they go to extract the loot so it becomes available for use. Dark Zone loot isn’t usable until it’s “extracted”, which is dicey process of calling in a helicopter, waiting around for it to arrive, and then not getting killed while your character is going through the motions of attaching the loot to the zipline dropped by the helicopter. It’s all very Metal Gear Solid, only with the added threat of someone lobbing a few grenades on you as you’re going for the extract, and then raining bullets on you from the high ground.

Which is to say, the Dark Zone is pretty fun. If you’re playing solo, it’s the thill of being a lone wolf — not necessarily taking out groups of the strong AI by yourself, but contributing enough lead to share in the spoils, then either taking advantage of someone else’s extraction helicopter or calling in your own and hoping like hell someone doesn’t decide you’re a good target.

Ars Technica played through the closed beta on Xbox One a few weeks earlier, and while they say The Division is a repetitive shooter that has neither the cover-based shooting mechanics of Gears of War or the looting and gear-based aspects of Fallout or Borderlands, I disagree. The Division is different enough from all those to set it apart, and what people have to realise is that it isn’t a cover-based shooter with RPG elements, it’s an RPG with cover-based shooter elements.

Playing through the open beta taught me that the pursuit of better gear came above all else, and with the amount of weapon customisation and all the other RPG-type elements that were hinted at in the game but not actually present in the open beta (including food and managing hunger levels in a desolate, virus-ridden New York landscape, the various skills granted by unique weapons, the focus on cosmetic appearance, and more), my guess is there’s going to be playing of role-playing in The Division, whether that means going Rogue in the Dark Zone or just sticking to the streets of New York, trying to do… whatever the hell the main protagonist is trying to do. Seriously, what is this game about?

Seeing as I’ve pre-ordered the game, I guess I’ll find out soon enough.


  1. Which reminds me, I should probably write something about that again. It’s been a while, and I’ve got stuff to say.