Tag Archives: culture

Work, Part II

Unlike last year, I’m working through this year’s Christmas/New Year period. Mostly because I don’t mind working through what is one of the most chill (work atmosphere-wise, not temperature wise now that we’re in the middle of a hot and sweltering Queensland summer) periods of the year, but also because I really have nothing better to do, and no one to spend the time off with.

Anyway, I’ve been working full time for about four and a half years now. It’s not that long, when you think about it, but at the same time it’s also the longest period that I’ve ever worked full time, outside of a few weeks during school holidays and whenever I wasn’t too busy with university. And for the most part, it’s pretty great. Sure, work occupies most of my time, but it also gives me some degree of freedom, a degree of being truly independent that’s hard to put into words. On some level, there’s a part of me that enjoys the routine. Working full time has brought a certain degree of structure to what was previously a very haphazard arrangement of the things and events that made up my life.

But there’s a couple of things about corporate culture that I don’t really understand. For starters, what’s the deal with the unwritten law which says otherwise normal people who work full time have to hate weekdays and express this constantly to their colleagues? Everyone’s all “yay, hump day” and “finally, Friday” all the time, and I’m like, OK? Or maybe “yeah, haha”. I get that having a break from work is important, and there’s absolutely nothing wrong with looking forward to the weekend. But can’t you be enthusiastic about being at work and doing cool, interesting, meaningful stuff? Unemployment is hardly what it’s cracked up to be, especially when you have kids to feed, a house to pay off, and whatever other adult commitments/drug addictions you have. Hey, I don’t judge.

It’s as if all of these people who look forward to the weekend want time to go faster or something. As if they’re in some kind of a hurry to experience the weekend, their next big holiday, or whatever else they have to look forward to that isn’t work, instead of living in the here and now. On some level, I can see where they’re coming from. If I had some big holiday planned, or time off with my significant other, I probably wouldn’t want to be at work either. But here’s the thing: I don’t think looking forward to the weekend and wanting a few extra hours in the day so you can finish just one more thing at work are mutually exclusive. It’s entirely within the realms of possibility to enjoy what you do at work, put that little bit of extra effort in, and still be able to relax and enjoy your weekend/holiday/time off.

So, every time someone laments at how the week is going slowly, or how they wish it was Friday, I smile and nod. I don’t always agree with then, but then again, I haven’t been working full time for nearly as long as they have. Maybe in a few years I’ll be in their position, wishing time would pass faster so I could be doing what I really want to do. I doubt it, given that I already feel as though time is already passing fast enough, most of the time, but I digress — that’s for another time.

Like everyone else, I’d love to not work and get paid for it. But unless I somehow get extremely lucky, the realist in me says I’ll probably have to work until I’m old or dead, one of the two. Just like everyone else, really. And if I’m working, I might as well try and make something of it, right? I might as well try my hardest and put a little effort into what I’m doing, because what’s the downside here? It seems unlikely that I’ll get fired for trying my hardest, because that’s not really how capitalism works. Or so I’m led to believe, anyway.

Continue Reading →

Production as performance.

What I love about the approach is that it’s show­ing us a com­pli­cated, vir­tu­oso per­for­mance, but mak­ing it really clear and acces­si­ble at the same time. It’s enter­tain­ing, but it’s also an exer­cise in demystification—which of course is exactly the oppo­site objec­tive of every music video, ever. Their pur­pose has been to mys­tify, to mas­quer­ade, to mythol­o­gize in real-time.

via Making music without a mask « Snarkmarket.

Had a long internal battle with myself over which of their (Pomplamoose’s) songs to link – it was between September by Earth, Wind and Fire, and Single Ladies by Beyonce (ugh, which I’ve only just discovered I linked to by mistake in another post. More at the end of this post).

As you can see from the video above, September won out – not because I don’t think their version of Single Ladies wasn’t great, because it is (on more levels than one), but because to me, September better represented what the production-as-performance genre is all about – “subdivision of the video frame, lots of gear, performance, but above all performers” – who, by all appearances, to be normal; there’s no smoke machine, nor any hi-tech special effects.

It’s this kind of stuff that makes YouTube great. Like the Awesome Stopmotion Music (and it’s subsequent redux, coming soon to this blog), such pop-culture references, more commonly known as “memes” have absolutely exploded, and yeah. It’s great 😀

Right, so I only just discovered that I linked wrongly to Pomplamoose’s Single Ladies cover, when I was actually supposed to link to the Bottle Bank Arcade, part of the Fun Theory Redux. I’ve since rectified this error, you can now watch the Bottle Bank Arcade on the original post. My apologies for this.

This post part of Blogtober 2009. We’re almost there – and I’ve gotta start pumping out some serious posts, instead of just Pressing stuff from WordPress’ excellent, but making-me-a-lazy-blogger tool, the Press This bookmarklet. Ah well.